Hello all, I've heard about this theory called 'omnitonality.' Apparently Franz Liszt got really into it in his later years. The theory was developed by Francois-Joseph Fétis. I'm wondering if anyone here could enlighten me with some notated examples or examples in music literature. I get the impression that by 'omnitonality' Fétis is just suggesting that any chord can be enharmonicallby bdowning27 - Music Theory Questions and Answers
Here is the simplest purely tonal/functional chromatic scale harmonization I have arrived at. You can place the chromatic line in any voice... Soprano, Alto, Tenor, Bass. I end each example with a cadence. chromatic scale harmonization I realize this is years late. I just wanted to add my two cents considering I haven't found much information on this topic online. CPE Bach's chapter oby bdowning27 - Music Theory Questions and Answers