>It works the same with all major keys. >In C# major, the notes are ALL sharp, >so when you count down two notes in this key signature >>you land on E# minor Right here Rob means A# minorby hippsta - Music Theory Questions and Answers
don't avoid crossed voices (that's Counterpoint!) unless it brings said Instrument or Voice (especially) entirely out of its range. (i.e. You wouldn't have a Tenor cross-voice an Alto at c2 (c5 by Midi)..because he would have to be a Castratti >.<by hippsta - Music Theory Questions and Answers
the tritone is so named because it equally divides the octave in 3, the interval from the tritone back to the octave is a tritone too ^^ C-F#-Cby hippsta - Music Theory Questions and Answers
meh, the Rush song "Limelight" is in 25/16 ...or (12.5/8) if you feel me -Rob i know you do lolby hippsta - Music Theory Questions and Answers
It is indeed De' at first tho i thought you were talking about 'H' ~the elusive B natural, where the 'B' is Bb ~German, i thinkby hippsta - Music Theory Questions and Answers
Don't forget, however, that its diatonically correct to have E#, in the key of F#Major, and E# and B# in C#Major; likewise with Cb in GbMajor, and Cb and Fb in CbMajorby hippsta - Music Theory Questions and Answers
i'd say that cadences go from a maximum level of completeness and down in this order: Perfect Authentic V7-I, Authentic V-I, Plagal VI-I, and Deceptive V-vi ~ this is arguably more cadenzal than the Plagal, but listen to the phrase, and determine where it sounds like the music changes...and there is where you will find 'em >.<by hippsta - Music Theory Questions and Answers
the 4 in 6/4 represents the interval (P4) from dominant to tonic, in 2nd inversion. the same applies to 7/4 except that its a diatonic 7th instead of 6th.. yielding a "sus4" chord in 2nd inversion.... the "9" was your clue that you've left 17th century harmony, and are now in the realm of Jazz lolby hippsta - Music Theory Questions and Answers
Can you verify that the unison notes are not a second part?by hippsta - Music Theory Questions and Answers